'Composing with Tones' : A Musical Analysis of Schoenberg's Op.23 Pieces for Piano
Book Details
Format
Hardback or Cased Book
Book Series
Royal Musical Association Monographs
ISBN-10
0947854096
ISBN-13
9780947854096
Publisher
Taylor & Francis Ltd
Imprint
Ashgate Publishing Limited
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 28th, 2001
Print length
144 Pages
Weight
394 grams
Dimensions
24.60 x 15.70 x 1.40 cms
Product Classification:
Theory of music & musicologyKeyboard instruments
Ksh 17,100.00
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Schoenberg''s Op.23 for solo piano, written between 1920 and 1923, represented a move from his atonal music of the preceding twelve years to 12-note music. In this analysis of the five pieces which make up Op.23, Kathryn Bailey discusses the ways in which Schoenberg clearly explores new ideas in these pieces in the context of his old style. Op.23 marked the development of a new way of organizing pitches and establishing centres of gravity in the absence of tonality; but it was also an extension of what had gone before. While moving on from Op.23 was not a big step for Schoenberg, it represented a climacteric in the history of musical composition. It was a long time before anyone outside of Schoenberg''s circle would be able to see past the revolutionary idea of composing from a single pre-determined arrangement of the 12 notes of the chromatic scale to notice that in most ways this New Music answered the same conditions and fulfilled the same expectations that music had for generations.
Schoenberg''s Op.23 for solo piano, written between 1920 and 1923, represented a move from his atonal music of the preceding twelve years to 12-note music. In this analysis of the five pieces which make up Op.23, Kathryn Bailey discusses the ways in which Schoenberg clearly explores new ideas in these pieces in the context of his old style. Op.23 marked the development of a new way of organizing pitches and establishing centres of gravity in the absence of tonality; but it was also an extension of what had gone before. While moving on from Op.23 was not a big step for Schoenberg, it represented a climacteric in the history of musical composition. It was a long time before anyone outside of Schoenberg''s circle would be able to see past the revolutionary idea of composing from a single pre-determined arrangement of the 12 notes of the chromatic scale to notice that in most ways this New Music answered the same conditions and fulfilled the same expectations that music had for generations.
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