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(Con)Fusing Signs and Postmodern Positions : Spanish American Performance, Experimental Writing, and the Critique of Political Confusion

By: (Author) Robert Neustadt

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Ksh 4,050.00

Format: Paperback / Softback

ISBN-10: 1138864439

ISBN-13: 9781138864436

Series: Latin American Studies

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 27th, 2015

Print length: 232 Pages

Weight: 272 grams

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Foregrounding a strategy of experimental techniques which Neustadt call (con)fusing signs, the book explores critical and political dimensions of contemporary Spanish American artistic practices that are often explained away in the vague name of postmodern fragmentation. ( Con)Fusing Signs explores the techniques, consequences and purposes for this type of fragmentation. This study reassesses the much discussed crisis of representation through an analysis of the complexity of political critique in areas as diverse (and related) as postmodernity, military dictatorship and postcolonialism. This book explores the manner in which multimedia artists Diamela Eltit, Alejandro Jodorowsky, and Guillermo G-mez-Pe-a articulate political critiques through textual (con)fusion while paradoxically underscoring their inability to get outside of discourse.
Foregrounding a strategy of experimental techniques which Neustadt call (con)fusing signs, the book explores critical and political dimensions of contemporary Spanish American artistic practices that are often explained away in the vague name of postmodern fragmentation. ( Con)Fusing Signs explores the techniques, consequences and purposes for this type of fragmentation. This study reassesses the much discussed crisis of representation through an analysis of the complexity of political critique in areas as diverse (and related) as postmodernity, military dictatorship and postcolonialism. This book explores the manner in which multimedia artists Diamela Eltit, Alejandro Jodorowsky, and Guillermo G-mez-Pe-a articulate political critiques through textual (con)fusion while paradoxically underscoring their inability to get outside of discourse.

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