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'Inspiring a Mysterious Terror'
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'Inspiring a Mysterious Terror' : 200 Years of Joseph Sheridan Le Fanu

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Book Details

Format Paperback / Softback
ISBN-10 3034322232
ISBN-13 9783034322232
Edition New
Publisher Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture CH
Country of Publication GB
Publication Date Sep 30th, 2016
Print length 250 Pages
Weight 374 grams
Dimensions 17.60 x 22.50 x 1.90 cms
Ksh 8,850.00
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To mark the bicentenary of Sheridan Le Fanu’s birth, this collection brings together established scholars and emerging researchers to shed new light on some of his less famous fiction and celebrate his contribution to the Gothic genre. It also considers his relationship to Victorian Dublin and explores his status as an important ‘Irish’ writer.

Best known for his Gothic masterpiece Uncle Silas and the vampire story Carmilla, Joseph Sheridan Le Fanu was a prolific writer whose extensive body of work included historical, sensation and horror novels, poems and ballads, numerous stories of the supernatural, journalism and a verse-drama. While his name is well known to aficionados of the horror genre, much of his work still remains in the shadows. Indeed, despite his vampire creation, Carmilla, being the best-known female blood-sucker in the world, and despite an enormous scholarly and popular interest in the novella in which this character first appeared (an interest evident in the very large number of cinematic, televisual and even new media adaptations of the story), Le Fanu himself is almost completely unknown outside of the world of Irish Gothic scholarship, and most of his fiction remains difficult to obtain or is out of print.

To celebrate the bicentenary of Le Fanu’s birth, this collection brings together established scholars and emerging researchers in order to shed new light on some of his less famous fiction and celebrate his influential contribution to the Gothic genre. The main aim of the collection is to read Le Fanu in the round, expanding the critical focus away from its current obsession with a small proportion of his work and taking account of the full extent of his writing, from his other Gothic novels, The Rose and the Key, Haunted Lives and A Lost Name, to his short stories and journalism. The collection also considers Le Fanu’s relationship to Victorian Ireland and especially Dublin from a number of different angles, as well as addressing his status as an ‘Irish’ writer of substance.


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