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'Kubla Khan' and the Fall of Jerusalem
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'Kubla Khan' and the Fall of Jerusalem : The Mythological School in Biblical Criticism and Secular Literature 1770–1880

Book Details

Format Paperback / Softback
ISBN-10 0521298075
ISBN-13 9780521298070
Publisher Cambridge University Press
Imprint Cambridge University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 5th, 1980
Print length 372 Pages
Weight 554 grams
Dimensions 15.00 x 22.70 x 2.70 cms
Product Classification: Literary studies: c 1800 to c 1900
Ksh 8,300.00
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This important study outlines the development of the mythological school of European Biblical criticism, especially its German origins and its reception in England. The author also examines the influence of this movement in the work of specific writers: Coleridge, Hölderlin, Browning and George Eliot.
Dr. Shaffer outlines the development of the ''mythological school'' of European Biblical criticism, especially its German origins and its reception in England, and studies the influences of this movement in the work of specific writers: Coleridge, Holderlin, Browning, and George Eliot.

The ''higher criticism'' treated sacred scripture as literature and as history, the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and the Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of romantic aesthetics.

The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation of movements, the origin of new genres, literary relationships between England and Germany, and the bases of European romanticism.


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