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'Lords of Wine and Oile'
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'Lords of Wine and Oile' : Community and Conviviality in the Poetry of Robert Herrick

Book Details

Format Hardback or Cased Book
ISBN-10 0199604770
ISBN-13 9780199604777
Publisher Oxford University Press
Imprint Oxford University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 29th, 2011
Print length 346 Pages
Weight 550 grams
Dimensions 14.90 x 22.30 x 2.50 cms
Ksh 26,850.00
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A long overdue book-length appraisal of the major seventeenth-century poet Robert Herrick. The collection reads his poetry in the context of his literary, musical, political, and religious affiliations and looks at how he both presents and constructs ideals of community through his work.
''Lords of Wine and Oile'' provides a long overdue book-length appraisal of the major seventeenth-century poet Robert Herrick. The collection reads his poetry in the context of his literary, musical, political, and religious affiliations and looks at how he both presents and constructs ideals of community through his work. Herrick is best known for his poetry''s grace, good humour, and tolerant inclusiveness, characteristics at odds with the publication of his work close to the end of the Civil Wars. This collection places Herrick''s poetry in a much wider chronological context beginning with his early career as a manuscript poet in Jacobean London. Contributors present original research to situate Herrick within the coteries of Ben Jonson and Thomas Stanley, uncover the Royalism of Herrick''s publishers, and identify the printer of Hesperides. Others examine how the context of publication in 1648 gives a political colouring to Herrick''s imitations of Ovid and Anacreon and how Herrick, like Katherine Philips, uses the theme of friendship and the mode of print to construct an idea of the autonomous author. Two essays explore Herrick''s musical collaborations with Henry Lawes, the first such work since 1976, and analyse the influence of musical settings and group performance on the interpretation of Herrick''s lyrics. The collection also showcases an important debate on the challenges posed by Herrick''s work, which consciously rejects competitive anxiety and narrative momentum, for historicist and postmodernist literary criticism. Contributors include Stella Achilleos, Line Cottegnies, John Creaser, Achsah Guibbory, Stacey Jocoy, Leah Marcus, Katharine Eisaman Maus, Nicholas McDowell, Michelle O''Callaghan, Graham Parry, Syrithe Pugh, and Richard Wistreich.

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