A Cinema of Contradiction : Spanish Film in the 1960s
Book Details
Format
Hardback or Cased Book
ISBN-10
0748621601
ISBN-13
9780748621606
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 22nd, 2006
Print length
208 Pages
Weight
495 grams
Product Classification:
Film theory & criticism
Ksh 18,900.00
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A key decade in world cinema, the 1960s was also a crucial era of change in Spain. This is the first book to focus in depth on this period in Spain, analyses six films that reflect and interpret these transformations.
A key decade in world cinema, the 1960s was also a crucial era of change in Spain. A Cinema of Contradiction, the first book to focus in depth on this period in Spain, analyses six films that reflect and interpret these transformations. The coexistence of traditional and modern values and the timid acceptance of limited change by Franco''s authoritarian regime are symptoms of the uneven modernity that characterises the period. Contradiction--the unavoidable effect of that unevenness--is the conceptual terrain explored by these six filmmakers.
One of the most significant movements of Spanish film history, the ''New Spanish Cinema'' art films explore contradictions in their subject matter, yet are themselves the contradictory products of the state''s protection and promotion of films that were ideologically opposed to it. A Cinema of Contradiction argues for a new reading of the movement as a compromised yet nonetheless effective cinema of critique. It also demonstrates the possible contestatory value of popular films of the era, suggesting that they may similarly explore contradictions. This book therefore reveals the overlaps between art and popular film in the period, and argues that we should see these as complementary rather than opposing areas of cinematic activity in Spain.
One of the most significant movements of Spanish film history, the ''New Spanish Cinema'' art films explore contradictions in their subject matter, yet are themselves the contradictory products of the state''s protection and promotion of films that were ideologically opposed to it. A Cinema of Contradiction argues for a new reading of the movement as a compromised yet nonetheless effective cinema of critique. It also demonstrates the possible contestatory value of popular films of the era, suggesting that they may similarly explore contradictions. This book therefore reveals the overlaps between art and popular film in the period, and argues that we should see these as complementary rather than opposing areas of cinematic activity in Spain.
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