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A Cruel Theatre of Self-Immolations
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A Cruel Theatre of Self-Immolations : Contemporary Suicide Protests by Fire and Their Resonances in Culture

Book Details

Format Paperback / Softback
ISBN-10 1032238453
ISBN-13 9781032238456
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 13th, 2021
Print length 306 Pages
Weight 470 grams
Dimensions 15.60 x 23.40 x 2.00 cms
Product Classification: Theatre studies
Ksh 8,150.00
Werezi Extended Catalogue 0 in stock

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A Cruel Theatre of Self-immolations investigates contemporary protest self-burnings and their echoes across culture. The book provides a conceptual frame for the phenomenon and an annotated, comprehensive timeline of suicide protests by fire, supplemented with notes on artworks inspired by or devoted to individual cases.

A Cruel Theatre of Self-Immolations investigates contemporary protest self-burnings and their echoes across culture.

The book provides a conceptual frame for the phenomenon and an annotated, comprehensive timeline of suicide protests by fire, supplemented with notes on artworks inspired by or devoted to individual cases. The core of the publication consists of six case studies of these ultimate acts, augmented with analyses and interpretations hailing from the visual arts, film, theatre, architecture, and literature. By examining responses to these events within an interdisciplinary frame, Ziólkowski highlights the phenomenon’s global reach and creates a broad, yet in-depth, exploration of the problems that most often prompt these self-burnings, such as religious discrimination and harassment, war and its horrors, the brutality and indoctrination of authoritarian regimes and the apathy they produce, as well as the exploitation of the so-called "subalterns" and their exclusion from mainstream economic systems.

Of interest to scholars from an array of fields, from theatre and performance, to visual art, to religion and politics, A Cruel Theatre of Self-Immolations offers a unique look at voluntary, demonstrative, and radical performances of shock and subversion.


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