A History of Fine Art in India & Ceylon
Book Details
Format
Hardback or Cased Book
ISBN-10
811913916X
ISBN-13
9788119139163
Publisher
Manohar Publishers and Distributors
Imprint
Manohar Publishers and Distributors
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 31st, 2023
Print length
219 Pages
Dimensions
30.00 x 23.00 x 4.00 cms
Product Classification:
History of art / art & design stylesHistory of art
Ksh 15,850.00
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The work is highly recommended for scholars, researchers, and other professionals interested in South Asian art and architecture.
The volume is a detailed discussion of the history of Indian and Ceylonese art during ancient, medieval, and modern times. The book is the result of the development of the study of Indian art and archaeology during the nineteenth and early twentieth century India. This work starts with the Indus Valley Civilization, followed by Mauryan, Gupta, Buddhist, Hindu, and the influence of Greek and Roman traditions in Indian art.
The author also covers themes, such as cave art, sculptural traditions, and building architecture in ancient Mathura, Amravati, and the entire South India to Ceylon. Moreover, this book covers art from Central Asia, Java, Tibet, and Nepal. This volume also covers the impact of Islamic architecture, which was borrowed from Arabia, Persia, and Central Asia. A special section on Indo-Islamic architecture, prevalent in tile works, calligraphies, lattices, inlay mosaics, numismatics, and sculptures, is also covered in this volume. It concludes with medieval paintings and a separate section on modern schools of Indian art. The work is highly recommended for scholars, researchers, and other professionals interested in South Asian art and architecture.
The author also covers themes, such as cave art, sculptural traditions, and building architecture in ancient Mathura, Amravati, and the entire South India to Ceylon. Moreover, this book covers art from Central Asia, Java, Tibet, and Nepal. This volume also covers the impact of Islamic architecture, which was borrowed from Arabia, Persia, and Central Asia. A special section on Indo-Islamic architecture, prevalent in tile works, calligraphies, lattices, inlay mosaics, numismatics, and sculptures, is also covered in this volume. It concludes with medieval paintings and a separate section on modern schools of Indian art. The work is highly recommended for scholars, researchers, and other professionals interested in South Asian art and architecture.
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