A Journey of Two Psalms : The Reception of Psalms 1 and 2 in Jewish and Christian Tradition
Book Details
Format
Hardback or Cased Book
ISBN-10
0199652414
ISBN-13
9780199652419
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 12th, 2013
Print length
366 Pages
Weight
744 grams
Dimensions
16.10 x 24.10 x 2.60 cms
Product Classification:
Religious subjects depicted in artHistory of religionJudaism: sacred texts
Ksh 16,000.00
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Psalms 1 and 2 serve as a Prologue to the rest of the Psalter. Susan Gillingham takes us on an illuminating journey across two-and-a-half millennia, revealing how these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike.
For two-and-a-half millennia these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike. Psalm 1 is about the Law; at the heart of Psalm 2 is the Anointed One (''Messiah''), and together they serve as a Prologue to the rest of the Psalter. They have frequently been read as one composite poem, with the Temple as one of the motifs uniting them. So three themes--Jewish and Christian disputes, the interrelationship of these psalms, and the Temple--are interwoven throughout this reception history analysis. The journey starts in ancient Judaism, moves on to early Christianity, then to rabbinic and medieval Judaism, and so to Christian commentators from the early Middle Ages to the Reformation. The journey pauses to look at four important modes of reception--liturgical use, visual exegesis, musical interpretation, and imitation in English literature. Thirty-eight colour plates and numerous musical and poetic examples bring the work to life. The journey continues by looking at the debates about these psalms which have occupied scholars since the Enlightenment, and ends with a chapter which surveys their reception history in the light of the three key themes.
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