A Provincial Organ Builder in Victorian England : William Sweetland of Bath
Book Details
Format
Paperback / Softback
Book Series
Music in Nineteenth-Century Britain
ISBN-10
1138278807
ISBN-13
9781138278806
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 28th, 2016
Print length
328 Pages
Weight
453 grams
Product Classification:
Romantic music (c 1830 to c 1900)Keyboard instrumentsBiography: general
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William Sweetland was a Bath organ builder who flourished from c.1847 to 1902 during which time he built about 300 organs. Gordon Curtis places this work of a provincial organ builder in the wider context of English musical life in the latter half of the nineteenth century. He relates the biographical details of Sweetland''s family, surveys Sweetland''s organ building work and explores the organ recital repertoire of the provinces. The second part of the book consists of a Gazeteer of all known organs by Sweetland.
William Sweetland was a Bath organ builder who flourished from c.1847 to 1902 during which time he built about 300 organs, mostly for churches and chapels in Somerset, Gloucestershire and Wiltshire, but also for locations scattered south of a line from the Wirral to the Wash. Gordon Curtis places this work of a provincial organ builder in the wider context of English musical life in the latter half of the nineteenth century. An introductory chapter reviews the provincial musical scene and sets the organ in the context of religious worship, public concerts and domestic music-making. The book relates the biographical details of Sweetland''s family and business history using material obtained from public and family records. Curtis surveys Sweetland''s organ- building work in general and some of his most important organs in detail, with patents and other inventions explored. The musical repertoire of the provinces, particularly with regard to organ recitals, is discussed, as well as noting Sweetland''s acquaintances, other organ builders, architects and artists. Part II of the book consists of a Gazetteer of all known organs by Sweetland organized by counties. Each entry contains a short history of the instrument and its present condition. Since there is no definitive published list of his work, and as all the office records were lost in a fire many years ago, this will be the nearest approach to a comprehensive list for this builder.
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