A Vulgar Art : A New Approach to Stand-Up Comedy
by
Ian Brodie
Book Details
Format
Hardback or Cased Book
Book Series
Folklore Studies in a Multicultural World Series
ISBN-10
1628461829
ISBN-13
9781628461824
Publisher
University Press of Mississippi
Imprint
University Press of Mississippi
Country of Manufacture
US
Country of Publication
GB
Publication Date
Oct 30th, 2014
Print length
255 Pages
Weight
531 grams
Dimensions
22.80 x 15.20 x 1.90 cms
Product Classification:
Performing arts: comedy
Ksh 15,850.00
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Uses a folkloristic approach to stand-up comedy, engaging the discipline''s central method of studying interpersonal, artistic communication and performance. A Vulgar Art begins with a fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. This book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience.
In A Vulgar Art Ian Brodie uses a folkloristic approach to stand-up comedy, engaging the discipline''s central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize--""literature"" or ""theatre""; ""editorial"" or ""morality""--and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make them laugh. So this book takes the moment of performance as its focus, that stand-up comedy is a collaborative act between the comedian and the audience.
Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian''s own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and socio-cultural distances between the performer and the audience.
Although the form of talk on the stage resembles talk among friends and intimates in social settings, stand-up comedy remains a profession. As such, it requires performance outside of the comedian''s own community to gain larger and larger audiences. How do comedians recreate that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to Twitter as strategies for bridging the spatial, temporal, and socio-cultural distances between the performer and the audience.
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