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A Wonderful Heart
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A Wonderful Heart : The Films of William Wyler

Book Details

Format Paperback / Softback
ISBN-10 0786435739
ISBN-13 9780786435739
Publisher McFarland & Co Inc
Imprint McFarland & Co Inc
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 9th, 2013
Print length 256 Pages
Weight 458 grams
Dimensions 25.40 x 17.80 x 1.30 cms
Product Classification: Individual film directors, film-makers
Ksh 9,000.00
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Revered by his cinematic peers, William Wyler (1902-1981) was one of the most honored and successful directors of Hollywood's Golden Age, with such classics as Dead End, Wuthering Heights, The Little Foxes, Roman Holiday and Ben-Hur. He won three directing Oscars and elicited over a dozen Oscar-winning performances from his actors. Such exacting performers as Bette Davis, Laurence Olivier and Charlton Heston counted him the best director they had worked with. Yet during the era of the "auteur" theory his films fell out of fashion, lacking, it was said, a distinctive stylistic and thematic signature. This new critical study of Wyler's work, the first in more than thirty years, challenges the notion of Wyler's impersonality and offers a comprehensive reappraisal of his work, particularly of the underrated postwar films. It also provides a rebuttal of the auteurist criticism whose rigid categorization of directors cannot adequately encompass the range of someone like Wyler, who put substance above style and had a breadth of human understanding that was not reducible to a cluster of characteristic themes. Supported by archival research in Los Angeles, the book traces the important milestones in Wyler's career, the context of his films, the importance of legendary producer Sam Goldwyn, his distinguished war record and his principled opposition to blacklisting during the McCarthy era.

Revered by his cinematic peers, William Wyler (1902-1981) was one of the most honored and successful directors of Hollywood''s Golden Age, with such classics as Dead End, Wuthering Heights, The Little Foxes, Roman Holiday and Ben-Hur. He won three directing Oscars and elicited over a dozen Oscar-winning performances from his actors. Such exacting performers as Bette Davis, Laurence Olivier and Charlton Heston counted him the best director they had worked with. Yet during the era of the "auteur" theory his films fell out of fashion, lacking, it was said, a distinctive stylistic and thematic signature.

This new critical study of Wyler''s work, the first in more than thirty years, challenges the notion of Wyler''s impersonality and offers a comprehensive reappraisal of his work, particularly of the underrated postwar films. It also provides a rebuttal of the auteurist criticism whose rigid categorization of directors cannot adequately encompass the range of someone like Wyler, who put substance above style and had a breadth of human understanding that was not reducible to a cluster of characteristic themes. Supported by archival research in Los Angeles, the book traces the important milestones in Wyler''s career, the context of his films, the importance of legendary producer Sam Goldwyn, his distinguished war record and his principled opposition to blacklisting during the McCarthy era.


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