African American Literature and the Classicist Tradition : Black Women Writers from Wheatley to Morrison
by
T. Walters
Book Details
Format
Hardback or Cased Book
ISBN-10
0230600220
ISBN-13
9780230600225
Publisher
Palgrave Macmillan
Imprint
Palgrave Macmillan
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 20th, 2007
Print length
197 Pages
Product Classification:
North America (USA and Canada)Literary studies: c 1900 to c 2000Literary studies: from c 1900 -Literary studies: fiction, novelists & prose writersLiterary studies: fiction, novelists and prose writersFolklore studies / Study of mythGender studies: women and girlsEthnic studies / EthnicityFolklore, myths & legendsGender studies: womenBlack & Asian studies
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A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency.
This is a groundbreaking study exploring the significant relationship between western classical mythology and African American women's literature. A comparative analysis of classical revisions by eighteenth and nineteenth century Black women writers Phillis Wheatley and Pauline Hopkins and twentieth century writers Gwendolyn Brooks, Toni Morrison, and Rita Dove reveals that Black women writers revise specific classical myths for artistic and political agency. The study demonstrates that women rework myth to represent mythical stories from the Black female perspective and to counteract denigrating contemporary cultural and social myths that disempower and devalue Black womanhood. Through their adaptations of classical myths about motherhood, Wheatley, Ray, Brooks, Morrison, and Dove uncover the shared experiences of mythic mothers and their contemporary African American counterparts thus offering a unique Black feminist perspective to classicism. The women also use myth as a liberatingspace where they can 'speak the unspeakable' and empower their subjects as well as themselves.
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