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African Sculpture
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African Sculpture

Book Details

Format Hardback or Cased Book
ISBN-10 0764323326
ISBN-13 9780764323324
Publisher Schiffer Publishing Ltd
Imprint Schiffer Publishing Ltd
Country of Manufacture CN
Country of Publication GB
Publication Date May 31st, 2005
Print length 240 Pages
Weight 1,516 grams
Dimensions 28.50 x 22.50 x 2.50 cms
Product Classification: SculptureInstallation art
Ksh 8,450.00
Werezi Extended Catalogue 0 in stock

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A comprehensive introduction to the vast range of tribal sculpture from Africa is presented in this photographic survey. Ashanti fertility dolls, Bambara dance headpieces, Bachokwe staff heads, and Bakuba boxes are included in 347 works from Senegal to the Congo regions, Mali to Sierra Leone. This book provides a tremendous opportunity to view the diversity, expressive quality, and sheer evocative power of African art, and to gain a better understanding of one of the great heritages of mankind. Author Warren Robbins, founder and former director of the National Museum of African Art in Washington, D.C., presents these pieces from the perspective of two civilizations -- Africa and the West. Believing that the works are classical rather than primitive art, his sensitive analysis of the stylistic refinements of the various tribes past and present emphasizes the importance of preserving this art for posterity. The text and captions are presented in both English and French.
A comprehensive introduction to the vast range of tribal sculpture from Africa is presented in this photographic survey.

Ashanti fertility dolls, Bambara dance headpieces, Bachokwe staff heads, and Bakuba boxes are included in 347 works from Senegal to the Congo regions, Mali to Sierra Leone. This book provides a tremendous opportunity to view the diversity, expressive quality, and sheer evocative power of African art, and to gain a better understanding of one of the great heritages of mankind.

Author Warren Robbins, founder and former director of the National Museum of African Art in Washington, D.C., presents these pieces from the perspective of two civilizations -- Africa and the West. Believing that the works are classical rather than primitive art, his sensitive analysis of the stylistic refinements of the various tribes past and present emphasizes the importance of preserving this art for posterity. The text and captions are presented in both English and French.

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