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After Hours For Trumpet And Piano
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After Hours For Trumpet And Piano

Book Details

Format Sheet Music
Book Series After Hours
ISBN-10 0571522688
ISBN-13 9780571522682
Publisher Faber Music Ltd
Imprint Faber Music Ltd
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 21st, 2004
Print length 32 Pages
Weight 150 grams
Dimensions 30.00 x 22.70 x 0.40 cms
Product Classification: Musical scores, lyrics & libretti
Ksh 1,800.00
Werezi Extended Catalogue 0 in stock

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Pam Wedgwood's After Hours For Trumpet And Piano presents eight atmospheric, original pieces for the intermediate trumpet player with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About Series. The book contains piano accompaniments, but for extra sophistication downloadable online audio of backing tracks is also available. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic ‘live’ instrument for those players who choose to play along with this version of the backing.

Pam Wedgwood''s After Hours For Trumpet And Piano presents eight atmospheric, original pieces for the intermediate trumpet player with piano accompaniment. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam’s highly acclaimed Jazzin’ About Series.

The book contains piano accompaniments, but for extra sophistication downloadable online audio of backing tracks is also available. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic ‘live’ instrument for those players who choose to play along with this version of the backing.


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