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After Raymond Williams
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After Raymond Williams : Cultural Materialism and the Break-up of Britain

Book Details

Format Paperback / Softback
ISBN-10 0708326641
ISBN-13 9780708326640
Publisher University of Wales Press
Imprint University of Wales Press
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 15th, 2013
Print length 224 Pages
Weight 340 grams
Dimensions 13.90 x 21.60 x 2.00 cms
Ksh 2,200.00
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Raymond Williams (1921–88) was a Welsh, working-class academic writer and novelist, influential in both the creation of cultural studies as an academic subject and in his attempts to democratize access to education. Here Hywel Dix applies Williams’s theory—that literary texts not only reflect what is happening in a society but also cause certain changes to occur—to literature and film produced in the years since Williams’s death, particularly during the years of political devolution in the United Kingdom. Dix explores the ways in which contemporary Welsh and Scottish writing contributes to devolution and how these writers carry out an imaginative critique of the unitary British state.
After Raymond Williams: Cultural Materialism and the Break-Up of Britain has two broad aims. The first is to re-examine the concept of cultural materialism, the term used by Raymond Williams to describe his theory of how writing and other cultural forms relate to general social and historical processes. Using this theory, the second objective is to explore the material ways in which contemporary British writing participates in one particular political process - that of the break-up of Britain. The general trajectory of the book is a matter of superseding Williams: the early chapters are devoted to extrapolating Williams's materialist theory of cultural forms, while later chapters are concerned with applying this theoretical material to a series of readings of books and films produced in the years since his death in 1988. This volume provides a detailed account of some of the writing produced in Scotland and Wales in the years surrounding political devolution, and also considers the ways in which different subcultural communities use fiction to renegotiate their relationships with the British whole.

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