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American Independent Cinema : indie, indiewood and beyond

By: (Edited by) Claire Molloy , (Edited by) Geoff King , (Edited by) Yannis Tzioumakis

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Ksh 8,800.00

Format: Paperback / Softback

ISBN-10: 0415684293

ISBN-13: 9780415684293

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 2nd, 2012

Print length: 272 Pages

Weight: 414 grams

Dimensions (height x width x thickness): 23.20 x 15.90 x 1.40 cms

Product Classification: Films, cinema
Media studies

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In recent years few topics within film studies, and especially Hollywood cinema, have attracted more attention than American independent cinema. Written by some of the leading authors in the field, American independent cinema: indie, indiewood and beyond will introduce students to recent developments as well as reviewing, reassessing and revising particular positions, approaches and arguments concerning American independent cinema.

The American independent sector has attracted much attention in recent years, an upsurge of academic work on the subject being accompanied by wider public debate. But many questions remain about how exactly independence should be defined and how its relationship might be understood with other parts of the cinematic landscape, most notably the Hollywood studios. Edited and written by leading authors in the field, American Independent Cinema: indie, indiewood and beyond offers an examination of the field through four sections that range in focus from broad definitions to close focus on particular manifestations of independence. A wide variety of examples are included but within a framework that offers insights into how these are related to one another.

More specifically this collection offers:

  • an account of recent developments as well as reviewing, reassessing and revising a number of central positions, approaches and arguments relating to various parts of the independent and/or indie sector.
  • Individual case studies that range from the distinctive qualities of the work of established ‘quality’ filmmakers such as Wes Anderson, Steven Soderbergh and Rebecca Miller to studies of horror genre production at the more ‘disreputable’ end of the independent spectrum.
  • Examples of the limits of independence available in some cases within Hollywood, including studies of the work of Stanley Kubrick and Hal Ashby.
  • Case studies of under-researched areas in the margins of American independent cinema, including the Disney nature films and Christian evangelical filmmaking.
  • A number of wider overview chapters that examine contemporary American independent cinema from a number of perspectives.

Together, the chapters in the collection offer a unique contribution to the study of independent film in the United States.

Contributors: Warren Buckland, Philip Drake, Mark Gallagher, Geoff King, Peter Krämer, Novotny Lawrence, James MacDowell, Claire Molloy, Michael Z. Newman, Alisa Perren, James Russell, Thomas Schatz, Michele Schreiber, Janet Staiger, Yannis Tzioumakis, Sarah Wharton


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