American Theatre Ensembles Volume 2 : Post-1995: The Builders Association, Pig Iron Theatre, Rude Mechs, Radiohole, The Civilians, and 600 Highwaymen
Book Details
Format
Paperback / Softback
ISBN-10
1350214760
ISBN-13
9781350214767
Publisher
Bloomsbury Publishing PLC
Imprint
Methuen Drama
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 25th, 2022
Print length
296 Pages
Weight
368 grams
Dimensions
13.70 x 21.60 x 1.80 cms
Product Classification:
United States of America, USATheatre studiesTheatre studies
Ksh 6,500.00
Manufactured on Demand
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A companion to American Theatre Ensembles Volume 1, this volume charts the development and achievements of theatre companies working after 1995, bringing together the diffuse generation of ensembles working within a context of media saturation and epistemological and social fragmentation. Ensembles examined include Rude Mechs, The Builders Association, Pig Iron, Radiohole, The Civilians and 600 Highwaymen.
Introductory chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. Contributors examine matters such as influence, funding, production and legacies, as well as the forms of collective devising and creation, while presenting close readings of the companies'' most prominent works.
The volume features detailed case studies of the 6 companies from the period and cover:
* A history of development and methods
* Key productions and projects
* Critical reception
* A chronology of significant productions
US ensemble companies since 1995 have revolutionized the form and content of contemporary performance, influencing experimental as well as mainstream practice. This volume provides the first encompassing study of this vital development in contemporary American theatre by mapping its evolution and key developments.
Introductory chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. Contributors examine matters such as influence, funding, production and legacies, as well as the forms of collective devising and creation, while presenting close readings of the companies'' most prominent works.
The volume features detailed case studies of the 6 companies from the period and cover:
* A history of development and methods
* Key productions and projects
* Critical reception
* A chronology of significant productions
US ensemble companies since 1995 have revolutionized the form and content of contemporary performance, influencing experimental as well as mainstream practice. This volume provides the first encompassing study of this vital development in contemporary American theatre by mapping its evolution and key developments.
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