Analogue Africa : Notes on the Anti-Colonial Imagination
Book Details
Format
Hardback or Cased Book
ISBN-10
1804295949
ISBN-13
9781804295946
Publisher
Verso Books
Imprint
Verso Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 17th, 2026
Print length
224 Pages
Weight
314 grams
Dimensions
21.70 x 14.90 x 2.10 cms
Product Classification:
Literary essaysEssaysAfrican historyPolitics & governmentPolitics and governmentAfrican history
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A COLLECTION OF INCISIVE ESSAYS ABOUT AFRICAN ART, CULTURE AND THE CONTINENT'S STRUGGLE TO SHAKE OFF EUROPEAN RULE
A COLLECTION OF INCISIVE ESSAYS ABOUT AFRICAN ART, CULTURE AND THE CONTINENT’S STRUGGLE TO SHAKE OFF EUROPEAN RULE
Too many of our convictions about the fifty-four nations of Africa come from non-African sources. Western media often treat the continent as a simulacrum of Western anxieties. In contrast, Jeremy Harding focuses on specific historical episodes and cultural practices – cinema, art, ethnography and journalism – to steer us away from treacherous generalisations.
Analogue Africa celebrates the ingenuity with which African artists – and a handful of Europeans – have reimagined the colonial encounter and voiced their impatience with white minority rule. Among his illustrious cast of filmmakers, photographers, writers and painters are Seydou Keïta, Sanlé Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina. Harding argues that Western museums with priceless African holdings – the British Museum, the Musée du Quai Branly, the Royal Museum of Central Africa in Belgium – are now the sites of a struggle over the colonial past, adding the latest chapter to an unfinished history.
Too many of our convictions about the fifty-four nations of Africa come from non-African sources. Western media often treat the continent as a simulacrum of Western anxieties. In contrast, Jeremy Harding focuses on specific historical episodes and cultural practices – cinema, art, ethnography and journalism – to steer us away from treacherous generalisations.
Analogue Africa celebrates the ingenuity with which African artists – and a handful of Europeans – have reimagined the colonial encounter and voiced their impatience with white minority rule. Among his illustrious cast of filmmakers, photographers, writers and painters are Seydou Keïta, Sanlé Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina. Harding argues that Western museums with priceless African holdings – the British Museum, the Musée du Quai Branly, the Royal Museum of Central Africa in Belgium – are now the sites of a struggle over the colonial past, adding the latest chapter to an unfinished history.
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