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Antony and Cleopatra: Language and Writing
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Antony and Cleopatra: Language and Writing

Book Details

Format Paperback / Softback
ISBN-10 1472504992
ISBN-13 9781472504999
Publisher Bloomsbury Publishing PLC
Imprint The Arden Shakespeare
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 19th, 2015
Print length 184 Pages
Weight 204 grams
Dimensions 25.50 x 13.00 x 1.10 cms
Product Classification: Shakespeare studies & criticism
Ksh 3,800.00
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Reading Antony and Cleopatra is particularly challenging because of Shakespeare's masterful embodiment of Rome and Egypt's contrasting worlds in language, structure, and characterization. Instead of seeing the interaction of Roman and Egyptian perspectives in Antony and Cleopatra as a type of double image of reality that changes as one moves from one location to another, students often find themselves compelled to pick sides. The more romantic opt for Cleopatra as the most sympathetic character, while the pragmatists dismiss her lifestyle as self-indulgent. The central challenge in reading this play, in other words, is to resist the compulsion to take sides and, instead, to adopt a 'both-and' point of view rather than an 'either-or' choice. The play's central binary - Rome vs. Egypt - is deeply embedded in its language and structure, yet the play consistently complicates our view of either side. The book encourages students to think outside the binary box, to understand, and to celebrate, Shakespeare's exploitation of the multivalent nature of language. As well as helping students to analyse the intricacy of Shakespeare's language in Antony and Cleopatra, each chapter's 'Writing matters’ section enables students to develop their own writing strategies in coursework and examinations.

Reading Antony and Cleopatra is particularly challenging because of Shakespeare''s masterful embodiment of Rome and Egypt''s contrasting worlds in language, structure, and characterization.
Instead of seeing the interaction of Roman and Egyptian perspectives in Antony and Cleopatra as a type of double image of reality that changes as one moves from one location to another, students often find themselves compelled to pick sides. The more romantic opt for Cleopatra as the most sympathetic character, while the pragmatists dismiss her lifestyle as self-indulgent. The central challenge in reading this play, in other words, is to resist the compulsion to take sides and, instead, to adopt a ''both-and'' point of view rather than an ''either-or'' choice. The play''s central binary - Rome vs. Egypt - is deeply embedded in its language and structure, yet the play consistently complicates our view of either side. The book encourages students to think outside the binary box, to understand, and to celebrate, Shakespeare''s exploitation of the multivalent nature of language.

As well as helping students to analyse the intricacy of Shakespeare''s language in Antony and Cleopatra, each chapter''s ''Writing matters’ section enables students to develop their own writing strategies in coursework and examinations.


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