Any Day Now: Toward a Black Aesthetic

A comprehensive and inspiring collection of essays by Larry Neal, a founder of the seminal Black Arts Movement

“The Black Arts Movement is radically opposed to any concept of the artist that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America.”
—Larry Neal, The Drama Review, 1968

Larry Neal, a poet, dramatist, and critic, was a founding figure of the Black Arts Movement in the 1960s and 1970s in New York. Writing as the arts editor for Liberator magazine, a radical journal published in Harlem, Neal called for Black artists to produce work that was politically oriented, rooted in the Black experience, and written for the Black community. Engaging with fiction, music, drama, and poetry in his texts, he challenged the dominance of the Western art-historical canon and charged Black artists and writers with reshaping artistic traditions according to their own history. As he proclaimed in his essay “The Black Writer’s Role,” written in 1966, “Black writers must listen to the world with their whole selves––their entire bodies. Must make literature move people. Must want to make our people feel, the way our music makes them feel.”

The writer Allie Biswas, who selected the texts Neal wrote from 1964 to 1978 included here, introduces the volume, illuminating the rich and varied context in which he produced his work.

A comprehensive and inspiring collection of essays by Larry Neal, a founder of the seminal Black Arts Movement. "The Black Arts Movement is radically opposed to any concept of the artist that alienates him from his community. Black Art is the aesthetic and spiritual sister of the Black Power concept. As such, it envisions an art that speaks directly to the needs and aspirations of Black America." — Larry Neal Growing up in Philadelphia, Neal was surrounded by Bebop music and writing. He culled inspiration and teachings from Ralph Ellison, Langston Hughes, and the leaders of the Harlem Renaissance. After studying folklore at the University of Pennsylvania, Neal became a prolific poet and critic, and he served as the arts editor for the Liberator where he published many of his essays about art. Neal encouraged artists to produce work that was not only politically engaged but also unapologetically rooted in the Black experience, and this message reverberated through African American literature, theater, music, and visual arts. He probed the notion of the Western art historical canon and challenged Black artists and writers to reshape artistic traditions. Deeply invested in cultural and personal understandings of the artist's intentions and experiences, Neal argues that to properly create and critique a work of art one must invest in the history of the artist's culture. With an introduction by the writer and researcher Allie Biswas, this publication celebrates and memorializes the great writings of a powerful and influential activist and artist.