Architecture, Print Culture and the Public Sphere in Eighteenth-Century France

This book offers the first study of how architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere. Depicting architecture''s passage into a mediatized public culture as an historic turning point, and interrogating it as a symptom of a changing configuration of individual, society, and space, this study will interest readers well beyond the discipline of architectural history.

This book focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution.

Presenting a fresh theoretical orientation and a large body of new primary research, this book offers a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the east facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon].

Depicting the passage of architecture into a mediatized public culture as a turning point, and interrogating it as a symptom of the distinctly modern configuration of individual, society, and space that emerged during this period, this study will interest readers well beyond the discipline of architectural history.