Art and Capitalism : A Contemporary Perspective
Book Details
Format
Hardback or Cased Book
Book Series
Routledge Research in Art and Politics
ISBN-10
0367689294
ISBN-13
9780367689292
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 24th, 2026
Print length
334 Pages
Product Classification:
The arts: general issuesThe arts: general topicsHistory of art / art & design stylesHistory of artMuseology and heritage studiesMuseology & heritage studiesHistory: specific events & topicsSocial & political philosophySociology: work & labourSociology: work and labourFar-left political ideologies and movementsMarxism & CommunismEconomic theory & philosophyEconomic theory and philosophyEconomic historyHistory: specific events and topicsSocial and political philosophy
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A central tenet of capitalism is the production of commodities to create profit (money); as such, the logical starting place for this companion is the relationship of art to these foundational elements of capitalism.
A central tenet of capitalism is the production of commodities to create profit (money); as such, the logical starting place for this collection is the relationship of art to these foundational elements of capitalism. However, as the contributions to the volume reveal, capitalism encompasses more than just an economic system in which art is bought and sold alongside other goods. This volume approaches the subject of art and capitalism thematically through five distinct parts: Art Markets, Money and Myths; Work, Labour and the Artist; Capitalist Technologies; Spaces of Art and Capital: Institutions and Beyond; and Crisis, Contestation and Critique. This thematic approach avoids presenting a definitive linear historical narrative of art and capitalism, allowing for an expanded and diverse approach to scholarship that addresses the relationship between the two since the advent of modernity. The volume presents multiple perspectives on capitalism in conversation with one another, including race, gender, class and global/geographical inequality. The book will be of interest to scholars working in art history, fine art, museum studies, curatorial studies, politics and visual culture.
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