Art And Value: Art's Economic Exceptionalism In Classical, Neoclassical And Marxist Economics : Historical Materialism, Volume 94
by
Dave Beech
Book Details
Format
Paperback / Softback
Book Series
Historical Materialism
ISBN-10
1608466388
ISBN-13
9781608466382
Publisher
Haymarket Books
Imprint
Haymarket Books
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jun 14th, 2016
Print length
392 Pages
Weight
570 grams
Dimensions
15.50 x 27.60 x 2.30 cms
Product Classification:
Theory of artMarxism & Communism
Ksh 6,300.00
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Art and Value is the first comprehensive analysis of art's political economy throughout classical, neoclassical and Marxist economics.
Shortlisted for the 2015 Deutscher Memorial Prize.
Art and Value is the first comprehensive analysis of art''s political economy to be found in classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art''s economic exceptionalism, of art as a merit good, and of the theories of art''s commodification, the culture industry and real subsumption.
Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the ''cost disease'' of artistic production, and neoliberal and post-Marxist theories of art''s incorporation into capitalism, are examined in detail.
Through this exacting critique of mainstream and Marxist theories of art''s economics, the book arrives at a new and highly origianl Marxist theory of art''s economic exceptionalism.
Art and Value is the first comprehensive analysis of art''s political economy to be found in classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art''s economic exceptionalism, of art as a merit good, and of the theories of art''s commodification, the culture industry and real subsumption.
Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the ''cost disease'' of artistic production, and neoliberal and post-Marxist theories of art''s incorporation into capitalism, are examined in detail.
Through this exacting critique of mainstream and Marxist theories of art''s economics, the book arrives at a new and highly origianl Marxist theory of art''s economic exceptionalism.
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