Art, Technology and Nature : Renaissance to Postmodernity
Book Details
Format
Hardback or Cased Book
Book Series
Science and the Arts since 1750
ISBN-10
1472411722
ISBN-13
9781472411723
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 28th, 2015
Print length
322 Pages
Weight
974 grams
Dimensions
18.30 x 25.50 x 2.40 cms
Ksh 27,000.00
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Quality
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Are art and technology coming into a closer relationship with nature? Through a selection of innovative readings by international scholars, this book argues that since 1900 we have experienced a renewed negotiation of the convergent triangle of art, technology and nature, analysing its shifting constellations in post-medieval times. Through this negotiation, art becomes truly complementary to technology in understanding natures agencies and may gain an important role in adjusting technologys present utilitarian hegemony.
Since 1900, the connections between art and technology with nature have become increasingly inextricable. Through a selection of innovative readings by international scholars, this book presents the first investigation of the intersections between art, technology and nature in post-medieval times. Transdisciplinary in approach, this volumes 14 essays explore art, technology and natures shifting constellations that are discernible at the micro level and as part of a larger chronological pattern. Included are subjects ranging from Renaissance wooden dolls, science in the Italian art academies, and artisanal epistemologies in the followers of Leonardo, to Surrealism and its precursors in Mannerist grotesques and the Wunderkammer, eighteenth-century plant printing, the climate and its artistic presentations from Constable to Olafur Eliasson, and the hermeneutics of bioart. In their comprehensive introduction, editors Camilla Skovbjerg Paldam and Jacob Wamberg trace the Kantian heritage of radically separating art and technology, and inserting both at a distance to nature, suggesting this was a transient chapter in history. Thus, they argue, the present renegotiation between art, technology and nature is reminiscent of the ancient and medieval periods, in which art and technology were categorized as aspects of a common area of cultivated products and their methods (the Latin ars, the Greek techne), an area moreover supposed to imitate the creative forces of nature.
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