Arvo Pärt''s White Light : Media, Culture, Politics

This book presents a fresh, interdisciplinary approach to the study of the contemporary composer Arvo Pärt and his reception. The volume charts his influence on areas including film, cultural programming, new media, cultures of listening, politics and performance practice. It addresses a wide readership across the humanities, with technical analysis kept to a minimum.

One of the most frequently performed contemporary composers, Arvo Part has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Part's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Part as a major cultural figure and reflect on the unprecedented impact of his music.