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Assault on the Small Screen
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Assault on the Small Screen : Representations of Sexual Violence on Prime Time Television Dramas

Book Details

Format Hardback or Cased Book
ISBN-10 1442253975
ISBN-13 9781442253971
Publisher Bloomsbury Publishing Plc
Imprint Rowman & Littlefield Publishers
Country of Manufacture GB
Country of Publication GB
Publication Date Jul 22nd, 2015
Print length 206 Pages
Weight 466 grams
Dimensions 23.80 x 16.00 x 2.20 cms
Product Classification: TelevisionViolence in society
Ksh 16,500.00
Manufactured on Demand 0 in stock

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This book focuses on how various police and police-adjacent agencies present investigations of rape, treat and discuss rape victims, and help to create a lens through which audience members view rape in the real world. The programs discussed in this volume include program The Good Wife, CSI, NCIS, Law & Order SVU, The Closer, and Criminal Minds.
Over the last few decades, television programs have attempted to depict some of the more troubling elements of society with a more conscientious approach. Issues that networks were once reluctant to broadcast—such as sexual abuse, sexual assault, and rape—have become frequent plot points for many popular shows. Narratives that portray important social issues could potentially affect the ways individual viewers understand such incidents in the real world, so it is important to pay close and critical attention to the stories about rape that are broadcast to mass audiences. In Assault on the Small Screen: Representations of Sexual Violence on Prime Time Television Dramas, Molly Ann Magestro examines the ways in which police and legal dramas on network and cable channels portray rape narratives. In this discussion, the author focuses on eight successful shows—NCIS, Criminal Minds, CSI, The Closer, Rizzoli & Isles, Dexter, Law and Order: Special Victims Unit, and The Good Wife. Each chapter offers a close reading and analysis of how one or more of the shows represent rape narratives and rape victims in ways that more or less address feminist understandings of rape and rape culture. The arguments in each chapter explore the specific narrative content of individual series rather than a single critical approach. Each of the eight shows considered within the book is the focus of its own argument, as the representations of rape narratives on television are as complex as issues surrounding rape can be in the real world. In a time when rape narratives are frequently making headlines, taking the time to examine and understand the messages broadcast by a medium as ubiquitous as television serves an important role in developing an understanding of rape culture. A significant step toward this understanding, Assault on the Small Screen will be of interest to scholars of film and television, media studies, gender studies, criminology, and sociology.

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