Attention and Distraction in Modern German Literature, Thought, and Culture
Book Details
Format
Paperback / Softback
ISBN-10
0198944365
ISBN-13
9780198944362
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Sep 15th, 2024
Print length
456 Pages
Weight
664 grams
Dimensions
23.50 x 15.70 x 2.50 cms
Ksh 6,350.00
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This wide-ranging interdisciplinary study traces the intertwined histories of attention and distraction from the eighteenth century to the present day.
Attention is fundamental to how we experience reality, and yet this notion has been understood and practised in very different ways across history. This interdisciplinary study explores the dynamic relationship between attention and its supposed opposite, distraction, as it unfolds from the eighteenth century to the present day. Its primary focus is on twentieth-century Germany and Austria, where matters of (in)attention gained a unique urgency during a period of social change and political crisis.Building on Enlightenment practices of self-observation, nineteenth-century Germany was the birthplace of experimental psychology, a discipline which sought to measure and potentially enhance human attention. This approach was also adopted outside the psychological laboratory for instance in the First World War, when psychological testing were used to select soldiers for particular strategic positions. After the war these techniques filtered through into everyday life. Weimar Germany was unique in the western world in rolling out the methods of ''psychotechnics'' across civilian society in fields such as work and education, advertising and mass entertainment. This state-sponsored programme aimed to reshape people''s minds and behaviour in order to build a more efficient, streamlined society. But as this study shows, this initiative also had profound repercussions in the fields of thought, literature, and culture. New readings of leading writers and intellectuals of the period Kafka, Musil, Kracauer, Benjamin, and Adorno are interspersed with broader cultural-historical chapters dedicated to the history of psychology and psychiatry, to Weimar self-help literature, portrait photography, and musical culture.
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