Audible Infrastructures
Book Details
Format
Paperback / Softback
Book Series
Critical Conjunctures in Music and Sound
ISBN-10
0190932643
ISBN-13
9780190932640
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Mar 17th, 2021
Print length
304 Pages
Weight
440 grams
Dimensions
15.50 x 23.50 x 1.80 cms
Product Classification:
Western "classical" musicSustainability
Ksh 7,750.00
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Audible Infrastructures reveals the material, environmental, and economic conditions that underlie the production and consumption of music. In showing how central natural resources, power grids, and transportation are to music, this book boldly reshapes how we understand musical cultures and their place in society.
Our day-to-day musical enjoyment seems so simple, so easy, so automatic. Songs instantly emanate from our computers and phones, at any time of day. The tools for playing and making music, such as records and guitars, wait for us in stores, ready for purchase and use. And when we no longer need them, we can leave them at the curb, where they disappear effortlessly and without a trace. These casual engagements often conceal the complex infrastructures that make our musical cultures possible. Audible Infrastructures takes readers to the sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles that seem peripheral to musical culture and shows that they are actually pivotal to what music is, how it works, and why it matters. Organized into three parts dedicated to the main phases in the social life and death of musical commodities — resources and production, circulation and transmission, failure and waste — this book provides a concerted archaeology of music''s media infrastructures. As contributors reveal the material-environmental realities and political-economic conditions of music and listening, they open our eyes to the hidden dimensions of how music is made, delivered, and disposed of. In rethinking our responsibilities as musicians and listeners, this book calls for nothing less than a reconsideration of how music comes to sound.
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