Audio Book : Essays on Sound Technologies in Narrative Fiction
Book Details
Format
Hardback or Cased Book
ISBN-10
0739118315
ISBN-13
9780739118313
Publisher
Bloomsbury Publishing Plc
Imprint
Lexington Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 11th, 2008
Print length
164 Pages
Weight
402 grams
Dimensions
16.00 x 23.50 x 1.90 cms
Product Classification:
Literary studies: fiction, novelists & prose writers
Ksh 18,250.00
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Audio Book deals with the ways in which various technologies enabling the transmission or storing of sound and voice are figured in selected works drawn from contemporary narrative fiction. The sound technologies are shown to influence the narrative structure, metaphorics, and style of the works studied.
Audio Book deals with the ways in which the auditory—voices, sounds, noises—is represented in postphonograph narrative fiction. More specifically, it examines how the various technologies enabling the transmission or storing of sound and voice are figured in selected prose works. Drawing from contemporary American, British, French, and German literature, the author discusses these use of these technologies in Nicholson Baker''s Vox, Michel Tournier''s Tristan Vox, Heinrich Böll''s Murke''s Collected Silences, Don DeLillo''s The Body Artist, Nick Hornby''s High Fidelity, and Sylvia Brownrigg''s The Metaphysical Touch. The texts foreground sound technologies (the telephone, radio, tape recorder, answering machine, record player, or, counterintuitively, e-mail) in their narration and manifest important aspects of audio in literature. In prior criticism, these texts have not been systematically read from media-technological perspectives. The sound technologies represented in the texts problematize the clear distinction between speech and writing, or between "natural" articulation and its technological reproduction. Audio Book suggests that literary writing is metaphorically conceivable as a transmitting and storing technology, as an audiobook of sorts, capable of recording (upon writing) and reproducing (upon reading) auditory information. The sound technologies proper have also bearing on the narrative structure, metaphorics, and style of each fictional work studied in Audio Book. In addition, themes such as identity, genre, the nature of literary representation, and the absence/presence problem are brought to the fore on account of the technologies depicted.
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