Australian Women, Art and the Interwar Years : Migration and Identity
Book Details
Format
Hardback or Cased Book
ISBN-10
1032715456
ISBN-13
9781032715452
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 29th, 2026
Print length
196 Pages
Weight
570 grams
Product Classification:
20th century, c 1900 to c 1999The arts: general issuesThe arts: general topicsHistory of art & design styles: from c 1900 -Art & design styles: c 1900 to c 1960Art formsThe Arts: art formsHistory of artAustralasian & Pacific history20th century history: c 1900 to c 2000Social & cultural historyGender studies: women and girlsGender studies: womenHistoryAustralasian and Pacific historySocial and cultural history
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This book examines the experience of migration of strong-minded Australian women, who were influential cultural agents from the years directly following the end of World War I until 1941—a pivotal period in the history of cultural relations between Britain and its dominions that has been overlooked in art history.
Australian Women, Art and the Interwar Years: Migration and Identity offers fresh perspectives on the challenges emerging from past nationalistic narratives of Australian art, particularly regarding the ways they have overlooked women’s agency in shaping Australian art and identity. Through a transnational theoretical framework, this book examines the experience of migration of strong-minded Australian women, who were influential cultural agents from the years directly following the end of the First World War until 1941—a pivotal period in the history of cultural relations between Britain and its dominions that has been overlooked in art history. It explores the complexities of cultural ties between Australia and Britain and provides new insights into the interconnectivity between Australian and British modernisms. This book contributes to contemporary post-colonial debates regarding the cultural survival of the Empire. It innovatively intertwines discussions about national identity, migration, global visual culture, modernism, women, and cultural policy. This book's interdisciplinary approach will attract a diverse range of scholars and researchers in art history and women's migration, particularly focusing on cultural transfers, national identity, and modernism in interwar Australia and Britain. Additionally, this book will appeal to art curators, as it addresses exhibition history and curatorial studies while also exploring themes that have recently gained traction in exhibitions in both Australia and the United Kingdom.
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