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Awakening Verse
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Awakening Verse : The Poetics of Early American Evangelicalism

Book Details

Format Hardback or Cased Book
ISBN-10 0197510272
ISBN-13 9780197510278
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture US
Country of Publication GB
Publication Date Sep 3rd, 2020
Print length 320 Pages
Weight 658 grams
Dimensions 15.20 x 23.90 x 2.50 cms
Ksh 12,900.00
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Awakening Verse is the first monograph to address evangelical poetry in the American colonies, shedding light on important dimensions of eighteenth-century religious and literary culture. Roberts deftly assembles a large, previously unknown archive of immensely popular poems, examines how American literary history has rendered this poetic tradition invisible, and demonstrates how a vibrant popular poetics exercised a substantial effect on the landscape of early American religion, literature, and culture.
In 1740, Benjamin Franklin published the first American edition of Gospel Sonnets, by the eminent Scottish Presbyterian minister Ralph Erskine. The work, already in its fifth British edition, quickly became an American bestseller and remained so throughout the eighteenth century. Franklin was aware of what most scholars of American religion and literature have forgotten -that poetry played a central role in the "surprising works of God" that birthed evangelicalism. The far-reaching social transformations precipitated by the transatlantic evangelical revivals of the eighteenth century depended upon the development of a major literary form, that of revival poetry. Literary scholars and historians of religion have prioritized sermons, conversion narratives, periodicals, and hymnody. Wendy Roberts here argues that poetry offered a unique capacity to "diffuse celestial Fervor through the World," in the words of the cleric Samuel Davies. Awakening Verse is the first monograph to address this large corpus of evangelical poetry in the American colonies, shedding light on important dimensions of eighteenth-century religious and literary culture. Roberts deftly assembles a large, previously unknown archive of immensely popular poems, examines how literary history has rendered this poetic tradition invisible, and demonstrates how a vibrant popular poetics exercised a substantial effect on the landscape of early American religion, literature, and culture.

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