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BBC and Television Genres in Jeopardy
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BBC and Television Genres in Jeopardy

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Book Details

Format Paperback / Softback
ISBN-10 3034318464
ISBN-13 9783034318464
Edition New
Publisher Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture CH
Country of Publication GB
Publication Date Feb 26th, 2015
Print length 400 Pages
Weight 576 grams
Dimensions 22.80 x 15.10 x 2.30 cms
Ksh 4,300.00
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This book considers British television from the point of view of executive producers, focusing on twenty-one different genres. On the basis of 150 interviews with executive producers, channel controllers and genre commissioners, the author offers new insights into the state of British television through the eyes of those working on the inside.
This book considers British television from the point of view of executive producers: the people who employ the workforce and are in charge of making all television series. The focus of the book is twenty-one separate genres, at least seven of which are in significant decline – namely current affairs, education, natural history, science, arts, children’s and religion. Some other public service genres – such as documentary, history and travel – are in good health. The most commercially successful genres include formatted factual entertainment series, such as cooking, homes, quiz/game, reality and sport.
The author completed 150 interviews not only with executive producers but with BBC and ITV channel controllers and top genre commissioners. Playing a supporting role are another 200 interviews, which were the basis of the author’s 1993 book, Television Producers. Since 1990, and especially since 2008, British television production has faced financial challenges. Meanwhile, BSkyB, Virgin Media and Channel Five are American controlled, and most of the larger London ‘independent’ production companies are now American or Euro-American owned and operated. Public service broadcasting in general, and BBC television in particular, are threatened with probable further decline. This book offers new insights into the state of British television through the eyes of those working on the inside.

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