Beauty : Botticelli in Florence
Book Details
Format
Paperback / Softback
ISBN-10
1843682605
ISBN-13
9781843682608
Publisher
Pallas Athene Publishers
Imprint
Pallas Athene Publishers
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 13th, 2025
Print length
448 Pages
Product Classification:
Individual artists, art monographsModern & contemporary fiction (post c 1945)
Ksh 2,500.00
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A novel by one of Britain's leading figures in museums and collecting of the last 50 years, based on the few facts known about Botticelli - informed by his paintings, imagining his thoughts and feelings as he created them.
An illustrated "painting" novel based on the few known facts about the artists life, which speculates on the people, experiences, and events that might have informed his work.
‘Beauty is the beacon of God,’ said Botticelli. ‘No, it’s not. Love is,’ snapped his sister.
Beauty: Botticelli in Florence imagines what Botticelli was feeling and thinking as he painted. The people he loved and despised, his private struggle between spirituality and sensuality, the tempestuous times he lived through – all come to life in his images…
The novel is a speculation based on the few facts known about Botticelli, informed by his paintings. There are many surprises. The Birth of Venus was a tapestry design. And his famed self-portrait didn’t depict him (as widely believed) but Pierfrancesco de Medici, who sued his powerful cousin Lorenzo for robbing him, abolished Florence’s homophobic witch-hunts, funded Vespucci’s journey to the New World and commissioned Botticelli’s most famous works. There was boiling tension between him and Botticelli.
This is the first in a sequence of illustrated ‘painting novels’ that make sights as telling as words.
‘Beauty is the beacon of God,’ said Botticelli. ‘No, it’s not. Love is,’ snapped his sister.
Beauty: Botticelli in Florence imagines what Botticelli was feeling and thinking as he painted. The people he loved and despised, his private struggle between spirituality and sensuality, the tempestuous times he lived through – all come to life in his images…
The novel is a speculation based on the few facts known about Botticelli, informed by his paintings. There are many surprises. The Birth of Venus was a tapestry design. And his famed self-portrait didn’t depict him (as widely believed) but Pierfrancesco de Medici, who sued his powerful cousin Lorenzo for robbing him, abolished Florence’s homophobic witch-hunts, funded Vespucci’s journey to the New World and commissioned Botticelli’s most famous works. There was boiling tension between him and Botticelli.
This is the first in a sequence of illustrated ‘painting novels’ that make sights as telling as words.
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