Beckett''s Dantes : Intertextuality in the Fiction and Criticism
Book Details
Format
Paperback / Softback
ISBN-10
0719071577
ISBN-13
9780719071577
Publisher
Manchester University Press
Imprint
Manchester University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 1st, 2009
Print length
232 Pages
Weight
396 grams
Dimensions
23.40 x 15.70 x 1.30 cms
Ksh 3,700.00
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The first study in English of the literary relationship between Beckett and Dante. It is a clear and innovative reading of Samuel Beckett and Dante's works and a critical engagement with contemporary theories of intertextuality -- .
Beckett''s Dantes: Intertextuality in the Fiction and Criticism is the first study in English on the literary relation between Beckett and Dante. It is an innovative reading of Samuel Beckett and Dante''s works and a critical engagement with contemporary theories of intertextuality. It is an informative intertextual reading of Beckett''s work, detecting previously unknown quotations, allusions to, and parodies of Dante in Beckett''s fiction and criticism. The volume interprets Dante in the original Italian (as it appears in Beckett), translating into English all Italian quotations. It benefits from a multilingual approach based on Beckett''s published works in English and French, and on manuscripts (which use English, French, German and Italian). Through a close reading of Beckett''s fiction and criticism, the book will argue that Dante is both assumed as an external source of literary and cultural authority in Beckett''s work, and also participates in Beckett''s texts'' sceptical undermining of authority. Moreover, the book demonstrates that the many references to various ''Dantes'' produce ''Mr Beckett'' as the figure of the author responsible for such a remarkably interconnected oeuvre. The book is aimed at the scholarly communities interested in literatures in English, literary and critical theory, comparative literature and theory, French literature and theory and Italian studies. Its jargon-free style will also attract third-year or advanced undergraduate students, and postgraduate students, as well as those readers interested in the unusual relationship between one of the greatest writers of the twentieth century and the medieval author who stands for the very idea of the Western canon.
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