Beijing Graffiti
by
Tom Dartnell
Book Details
Format
Hardback or Cased Book
ISBN-10
0764360531
ISBN-13
9780764360534
Publisher
Schiffer Publishing Ltd
Imprint
Schiffer Publishing Ltd
Country of Manufacture
IN
Country of Publication
GB
Publication Date
Dec 8th, 2020
Print length
192 Pages
Weight
1,352 grams
Dimensions
22.30 x 28.60 x 2.40 cms
Product Classification:
Other graphic art forms
Ksh 7,400.00
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A complex and contradictory graffiti culture has been brewing over the last few decades in one of the least expected settings—China’s capital. Through an unparalleled collection of one local photographer’s images, as well as interviews with 25 prolific artists, see how Beijing has developed its graffiti movement against the backdrop of the once-secluded nation’s rise to global economic might. While Beijing graffiti artists take their cue from the subculture’s Western origins, the local scene has also been highly influenced by both foreign visitors and traditional Chinese art and culture. Profiles of significant artists explore the dynamics of creative self-expression in such a perceivedly authoritarian setting, including the surprising amount of freedom they have to make their art undisturbed compared to Western counterparts. A must for graffiti enthusiasts, Sinophiles, and anyone interested in how this colorful subculture is still growing half a century after it emerged.
An exclusive examination Beijing's graffiti scene, including its origins, growth, and current status, through 25 interviews and over 300 color photos that document the scene’s development. A complex and contradictory graffiti culture has been brewing over the last few decades in one of the least expected settings—China’s capital. Through an unparalleled collection of one local photographer’s images, as well as interviews with 25 prolific artists, see how Beijing has developed its graffiti movement against the backdrop of the once-secluded nation’s rise to global economic might. While Beijing graffiti artists take their cue from the subculture’s Western origins, the local scene has also been highly influenced by both foreign visitors and traditional Chinese art and culture. Profiles of significant artists explore the dynamics of creative self-expression in such a perceivedly authoritarian setting, including the surprising amount of freedom they have to make their art undisturbed compared to Western counterparts. A must for graffiti enthusiasts, Sinophiles, and anyone interested in how this colorful subculture is still growing half a century after it emerged.
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