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Between the Real and the Ideal
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Between the Real and the Ideal : The Accademia Degli Arcadi and Its Garden in Eighteenth-century Rome

Book Details

Format Hardback or Cased Book
ISBN-10 1611492890
ISBN-13 9781611492897
Publisher Bloomsbury Publishing Plc
Imprint University of Delaware Press
Country of Manufacture US
Country of Publication GB
Publication Date Oct 1st, 2006
Print length 156 Pages
Weight 698 grams
Dimensions 29.90 x 35.90 x 1.60 cms
Product Classification: General & world history
Ksh 12,950.00
Werezi Extended Catalogue 0 in stock

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This book examines the Accademia degli Arcadi in its heyday, a little known phenomenon in Italian history in the first part of the eighteenth century. The Roman academy aimed for a peninsula-wide cultural renewal induced by literary reform. Operating within a papal court society, it eschewed extant patronage systems and social hierarchies and introduced enlightened ideas to its members. By about 1730, the Arcadi was on the wane, the reform largely unmet. It was an easy target for critics, both its proponents and opponents, in part because of the visible role it assigned to women. By attending to the institution's policies, this book provides a rich understanding of the Arcadi's goals. It locates the organization's interest in theater, including the physical environment of the theatrical drama, as central to its operations. It is argued that, like a stage set, the Bosco Parrasio, the garden that the Arcadi built for its literary presentations, is a visual manifestation of Arcadian goals.
This book examines the Accademia degli Arcadi in its heyday, a little known phenomenon in Italian history in the first part of the eighteenth century. The Roman academy aimed for a peninsula-wide cultural renewal induced by literary reform. Operating within a papal court society, it eschewed extant patronage systems and social hierarchies and introduced enlightened ideas to its members. By about 1730, the Arcadi was on the wane, the reform largely unmet. It was an easy target for critics, both its proponents and opponents, in part because of the visible role it assigned to women. By attending to the institution''s policies, this book provides a rich understanding of the Arcadi''s goals. It locates the organization''s interest in theater, including the physical environment of the theatrical drama, as central to its operations. It is argued that, like a stage set, the Bosco Parrasio, the garden that the Arcadi built for its literary presentations, is a visual manifestation of Arcadian goals.

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