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Biofictional Histories, Mutations and Forms

By: (Edited by) Michael Lackey

Werezi Extended Catalogue
Delivery in 34 days

Ksh 8,300.00

Format: Paperback / Softback

ISBN-10: 0367029898

ISBN-13: 9780367029890

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Jan 14th, 2019

Print length: 110 Pages

Weight: 192 grams

Dimensions (height x width x thickness): 15.50 x 23.20 x 1.80 cms

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Biofiction, literature that names its protagonist after a historical figure, has become a dominant literary form in the last forty years. Although writers such as J.M. Coetzee, Joyce Carol Oates, Hilary Mantel, Colm Tóibín, and Russell Banks have authored award-winning biographical novels, there remains confusion about the nature of biofiction. This collection defines the nature of the aesthetic form, clarifies why it has come into being, specifies what it is uniquely capable of signifying, shows how it pictures the historical and critiques the political, and suggests potential directions for future studies. This book was first published as a special issue of a/b: Auto/Biography Studies.

Biofiction, defined as literature that names its protagonist after an actual historical figure, first became popular in the 1930s, but over the last forty years it has become a dominant literary form. Prominent writers such as J.M. Coetzee, Joyce Carol Oates, Russell Banks, Julia Alvarez, Peter Carey, Hilary Mantel, Colm Tóibín, Anne Enright, Colum McCann, and Michael Cunningham have authored spectacular biographical novels which have won some of the world’s most prestigious awards for fiction.

However, in spite of the prominence of these authors, works, and awards, there has been considerable confusion about the nature of biofiction. This collection of process pieces and academic essays from authors and scholars of biofiction defines the nature of the aesthetic form, clarifies why it has come into being, specifies what it is uniquely capable of signifying, illustrates how it pictures the historical and critiques the political, and suggests potential directions for future studies. This book was originally published as a special issue of a/b: Auto/Biography Studies.


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