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Blasian Invasion
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Blasian Invasion : Racial Mixing in the Celebrity Industrial Complex

Book Details

Format Hardback or Cased Book
ISBN-10 1496814223
ISBN-13 9781496814227
Publisher University Press of Mississippi
Imprint University Press of Mississippi
Country of Manufacture US
Country of Publication GB
Publication Date Oct 26th, 2017
Print length 192 Pages
Weight 420 grams
Dimensions 22.80 x 15.20 x 1.40 cms
Ksh 15,850.00
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Probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry. Myra S. Washington looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media. Washington tracks the transformation of Blasian from being an unmentioned category to a recognized status.

Myra S. Washington probes the social construction of race through the mixed-race identity of Blasians, people of Black and Asian ancestry. She looks at the construction of the identifier Blasian and how this term went from being undefined to forming a significant role in popular media. Today Blasian has emerged as not just an identity Black/Asian mixed-race people can claim, but also a popular brand within the industry and a signifier in the culture at large. Washington tracks the transformation of Blasian from being an unmentioned category to a recognized status applied to other Blasian figures in media.

Blasians have been neglected as a meaningful category of people in research, despite an extensive history of Black and Asian interactions within the United States and abroad. Washington explains that even though Americans have mixed in every way possible, racial mixing is framed in certain ways, which almost always seem to involve Whiteness. Unsurprisingly, media discourses about Blasians mostly conform to usual scripts already created, reproduced, and familiar to audiences about monoracial Blacks and Asians.

In the first book on this subject, Washington regards Blasians as belonging to more than one community, given their multiple histories and experiences. Moving beyond dominant rhetoric, she does not harp on defining or categorizing mixed race, but instead recognizes the multiplicities of Blasians and the process by which they obtain meaning. Washington uses celebrities, including Kimora Lee, Dwayne Johnson, Hines Ward, and Tiger Woods, to highlight how they challenge and destabilize current racial debate, create spaces for themselves, and change the narratives that frame multiracial people. Finally, Washington asserts Blasians as not only evidence for the fluidity of identities, but also for

the limitations of reductive racial binaries.

 


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