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Bodies and Space in Architectural Drawing
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Bodies and Space in Architectural Drawing : Line, Movement and Scale

Book Details

Format Hardback or Cased Book
Book Series Drawing In
ISBN-10 1350385581
ISBN-13 9781350385580
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Visual Arts
Country of Manufacture GB
Country of Publication GB
Publication Date Jul 9th, 2026
Print length 232 Pages
Weight 625 grams
Dimensions 23.60 x 15.80 x 2.00 cms
Ksh 16,750.00
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This book explores how architects perceive and shape space through drawing, positioning the body not just as a subject but as an active tool for design.

Envisioning architectural drawing as a full-scale, bodily, and spatial practice, Marian Macken and Carl Douglas explore how architects imagine, perceive, and shape space through drawing, positioning the body not just as a subject but as an active medium for design.

Bodies and Space in Architectural Drawing
challenges conventional scale relationships and advocates for full-scale, performative drawing methods that expand the boundaries of architectural practice. Drawing is defined as a verb: a matter of time and duration. Drawings are inhabited, present, and embodied—redefining how space is measured, represented, and understood. Through case studies and examples, the authors examine diverse approaches to architectural drawing, including motion-capture and immersive technologies, analogue and digital methods of scanning, and gestural drawing. They highlight how drawing can be inhabited by both the drawer and the viewer, offering a dynamic, immersive experience.

Crucially, this book reinstates drawing as a spatial, temporal, and bodily act. It reframes the role of scaled artefacts—models, maps, and drawings—as intermediaries that mobilise architectural thinking. Rather than treating the body as a static reference point, it explores how moving, thinking bodies generate and reside within drawings. This is essential reading for students, practitioners, and researchers in architecture and spatial design seeking to rethink drawing as a performative and conceptual tool


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