Body and Narrative in Contemporary Literatures in German : Herta Muller, Libuse Monikova, Kerstin Hensel
by
Lyn Marven
Book Details
Format
Hardback or Cased Book
ISBN-10
0199277761
ISBN-13
9780199277766
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 26th, 2005
Print length
296 Pages
Weight
484 grams
Dimensions
22.40 x 14.50 x 2.10 cms
Product Classification:
Literary studies: from c 1900 -
Ksh 13,900.00
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Compares three contemporary women writing in German: Herta Muller (from Romania), Libuse Monikova (from Czechoslovakia), and Kerstin Hensel (from the GDR). Drawing on psychoanlytical, feminist, and performativity theory, this book looks at images of the body and their relationship to the structures of their writing.
This book examines the relationship between representations of the body and narrative strategies in the work of three contemporary women writers from the former Eastern Bloc countries: Herta Müller, an ethnic German from Romania; Libuše Moníková, who emigrated from Czechoslovakia to West Germany and chose to write in German; and Kerstin Hensel, from the GDR.Marven shows how the content and form of their works are interlinked, and how these challenge the hegemonic discourses within repressive socialist regimes. The introduction contextualizes the writers'' socially, culturally, and historically, and outlines the theoretical basis of the approach, drawing on psychoanalysis, performativity theory, and feminist critical theory. Chapters on the individual authors offer new interpretations of the writers'' works, focusing on the structures of trauma (in Müller''s work), hysteria (in Moníková''s) and the grotesque (in Hensel''s). The images of the body analysed in the first half of each chapter show the effects of violence; challenge the understanding of the body as natural or authentic; and raise questions about identity and gender. The analysis in the second half of each chapter covers a range of formal features, from the fantastic and collage, through parody and intertextuality, to irony, plot, and story telling. The book also traces developments in the work of all three authors, taking account of the historical changes in the Eastern Bloc countries since 1989.Body and Narrative in Contemporary Literatures in German will be valuable for anyone researching contemporary German literatures, as well as those interested in feminist theory, minority literatures, and trauma.
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