British Children''s Cinema : From the Thief of Bagdad to Wallace and Gromit
by
Noel Brown
Book Details
Format
Paperback / Softback
Book Series
Cinema and Society
ISBN-10
135024287X
ISBN-13
9781350242876
Publisher
Bloomsbury Publishing PLC
Imprint
Bloomsbury Academic
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 29th, 2021
Print length
320 Pages
Weight
416 grams
Dimensions
21.50 x 13.90 x 2.20 cms
Product Classification:
United Kingdom, Great Britain20th century, c 1900 to c 1999Films, cinemaFilm theory & criticismFilm: styles & genresFilms, cinemaFilm history, theory or criticismFilm: styles and genres20th century history: c 1900 to c 2000Social & cultural historyPopular cultureAge groups: childrenPopular cultureAge groups: childrenHistorySocial and cultural history
Ksh 6,750.00
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British children''s films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of children''s cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture.Drawing on multiple sources, Brown provides in-depth analysis of a range of iconic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films,Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardman''s Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the Children''s Film Foundation; and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. Brown challenges common prejudices that children''s films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds.In addition, he shows how the films allow a privileged access to historic cultures and the nation''s political past.
In doing so, Brown firmly establishes children''s cinema as an important genre not only for students and scholars of film studies but also for those interested in socio-cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia.
In doing so, Brown firmly establishes children''s cinema as an important genre not only for students and scholars of film studies but also for those interested in socio-cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia.
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