Camus's The Plague : Philosophical Perspectives
Book Details
Format
Hardback or Cased Book
Book Series
OXFORD STUDIES IN PHIL AND LIT SERIES
ISBN-10
019759932X
ISBN-13
9780197599327
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 12th, 2023
Print length
250 Pages
Weight
400 grams
Dimensions
21.60 x 14.70 x 1.90 cms
Product Classification:
Philosophy of languageLiterary studies: generalWestern philosophy, from c 1900 -
Ksh 15,500.00
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This collection of original essays on philosophical themes in Albert Camus's The Plague is of special relevance during and in the aftermath of Covid-19 but also provides reflections that will be of lasting value to those interested in this classic work of literature.
La Peste (in English The Plague), originally published in 1947 by the Nobel Prize-winning writer Albert Camus, chronicles the progression of deadly bubonic plague as it spreads through the quarantined Algerian city of Oran. While most discussions of fictional examples within aesthetics are either historical or hypothetical, Camus offers an example of “pestilence fiction.” Camus chose fiction to convey facts--about plagues in the past, his own bout with tuberculosis at age seventeen, living under quarantine away from home for several years, and forced separation from his wife who remained in Algiers while he was abroad in Nazi-occupied France. His own lived experiences undergird an imaginative account of shared human realities with which we can identify: vulnerability to the disease, isolation, fear, and finally humanitarianism. The Plague teaches us to neither covet nor expect what we so casually took for granted. This collection of original essays on philosophical themes in The Plague is of special relevance during and in the aftermath of Covid-19 but also provides reflections that will be of lasting value to those interested in this classic work of literature. The novel explores questions of enduring importance. Do we collectively meet the threshold of ethical behaviour posed by Camus who wrote, “What''s true of all the evils in the world is true of plague as well. It helps men to rise above themselves”? Or does the absurd undermine the compassionate? Do “heroes” dutifully fight a plague with “common decency,” or does human nature resign itself to the normalization of uncontrollable suffering and death? There are myriad ways to approach the novel and this volume encourages readers to ponder human dilemmas in fictional Oran informed by our current pandemic.
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