Cavendish and Shakespeare, Interconnections
Book Details
Format
Paperback / Softback
ISBN-10
1138263044
ISBN-13
9781138263048
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 29th, 2024
Print length
230 Pages
Weight
453 grams
Product Classification:
Literary studies: c 1500 to c 1800Shakespeare studies & criticism
Ksh 8,150.00
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Cavendish and Shakespeare, Interconnections explores the relationship between the plays of Shakespeare and the writings of Margaret Cavendish (1623-1673). The essays contained in this volume fit together as studies of various sorts of influence, both literary and historical, setting Cavendish''s appropriation of Shakespearean characters and plot structures within the context of the English Civil Wars and the Fronde. The essays trace Shakespeare''s influence on Cavendish and explore the political implications of Cavendish''s contribution to Shakespeare''s reputation.
Cavendish and Shakespeare, Interconnections explores the relationship between the plays of William Shakespeare and the writings of Margaret Cavendish, Duchess of Newcastle (1623-1673). Cavendish wrote 25 plays in the 1650s and 60s, making her one of the most prolific playwrightsman or womanof the seventeenth century. The essays contained in this volume fit together as studies of various sorts of influence, both literary and historical, setting Cavendish''s appropriation of Shakespearean characters and plot structures within the context of the English Civil Wars and the Fronde. The essays trace Shakespeare''s influence on Cavendish, explore the political implications of Cavendish''s contribution to Shakespeare''s reputation, and investigate the politics of influence more generally. The collection covers topics ranging from Cavendish''s strategic use of Shakespeare to establish her own reputation to her adaptation of Shakespeare''s martial imagery, moral philosophy, and marriage plots, as well as the conventions of cross dressing on stage. Other topics include Shakespeare and Cavendish read aloud; Cavendish''s formally hybrid appropriation of Shakespearean comedy and tragedy; her transformation of Shakespearean women on trial; and her re-imagining of Shakespearean models of sexuality and pleasure.
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