Cezanne and the End of Impressionism : A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Book Details
Format
Paperback / Softback
ISBN-10
0226753069
ISBN-13
9780226753065
Publisher
The University of Chicago Press
Imprint
University of Chicago Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 15th, 1986
Print length
336 Pages
Weight
596 grams
Dimensions
24.00 x 17.00 x 1.80 cms
Product Classification:
Art & design styles: Impressionism & Post-ImpressionismPainting & paintings
Ksh 7,500.00
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Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
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