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Chariot
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Book Details

Format Paperback / Softback
ISBN-10 1950268772
ISBN-13 9781950268771
Publisher Wave Books
Imprint Wave Books
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 15th, 2023
Print length 112 Pages
Weight 168 grams
Dimensions 15.50 x 24.00 x 0.90 cms
Product Classification: PoetryPoetry by individual poets
Ksh 2,350.00
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Timothy Donnelly’s fourth collection of poems, Chariot, ferries the reader toward an endless horizon of questioning that is both philosophical and deeply embodied.  “How did we get here?” he asks in his title poem—one of several in conversation with French symbolist Odilon Redon—to which he responds, “Unclear, if it matters; what matters // is we stay—aloft in possible color.” With a similar sensibility to previous collections The Problem of the Many and The Cloud Corporation (winner of the Kingsley Tufts Award), Chariot deepens Donnelly’s inquiry into artistic histories, from Jean Cocteau to The Cocteau Twins, while celebrating the power of poetic imagination to transport us to new zones of meaning and textual bliss. The collection also marks an exciting shift in form for Donnelly, who confines these new poems to twenty lines each, so that to read Chariot is to look through a many-paned, future-facing window, refracting and reflecting, letting all the light in.

Timothy Donnelly’s fourth collection of poems, Chariot, ferries the reader toward an endless horizon of questioning that is both philosophical and deeply embodied.

 “How did we get here?” he asks in his title poem—one of several in conversation with French symbolist Odilon Redon—to which he responds, “Unclear, if it matters; what matters // is we stay—aloft in possible color.” With a similar sensibility to previous collections The Problem of the Many and The Cloud Corporation (winner of the Kingsley Tufts Award), Chariot deepens Donnelly’s inquiry into artistic histories, from Jean Cocteau to The Cocteau Twins, while celebrating the power of poetic imagination to transport us to new zones of meaning and textual bliss. The collection also marks an exciting shift in form for Donnelly, who confines these new poems to twenty lines each, so that to read Chariot is to look through a many-paned, future-facing window, refracting and reflecting, letting all the light in.


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