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Children's Culture and the Avant-Garde
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Children's Culture and the Avant-Garde : Painting in Paris, 1890-1915

Book Details

Format Hardback or Cased Book
ISBN-10 0415872685
ISBN-13 9780415872683
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Aug 25th, 2012
Print length 246 Pages
Weight 472 grams
Dimensions 19.00 x 23.30 x 1.80 cms
Ksh 30,600.00 Werezi Extended Catalogue

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This volume explores the mutual influences between children’s literature and the avant-garde. Olson looks at children’s culture in relation to such painters as Rousseau, Chagall, Picasso, Modersohn-Becker and Nicholson, noting the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the intersection of children’s literature with fin-de-siècle artistic trends.

This volume explores the mutual influences between children’s literature and the avant-garde. Olson places particular focus on fin-de-siècle Paris, where the Avant-garde was not unified in thought and there was room for modernism to overlap with children’s literature and culture in the Golden Age. The ideas explored by artists such as Florence Upton, Henri Rousseau, Sir William Nicholson, Paula Modersohn-Becker, and Marc Chagall had been disseminated widely in cultural productions for children; their work, in turn, influenced children’s culture. These artists turned to children’s culture as a "new way of seeing," allied to a contemporary interest in international artistic styles. Children’s culture also has strong ties to decadence and to the grotesque, the latter of which became a distinctively Modernist vision.

This book visits the qualities of the era that were defined as uniquely childlike, the relation of childhood to high and low art, and the relation of children’s literature to fin-de-siècle artistic trends. Topics of interest include the use of non-European figures (the Golliwogg), approaches to religion and pedagogy, to oppression and motherhood, to Nature in a post-Darwinian world, and to vision in art and life. Olson’s unique focus covers new ground by concentrating not simply on children''s literature, but on how childhood experiences and culture figure in art.


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