Chinese Cinema : Identity, Power, and Globalization
Book Details
Format
Hardback or Cased Book
Book Series
Crossings: Asian Cinema and Media Culture
ISBN-10
988852853X
ISBN-13
9789888528530
Publisher
Hong Kong University Press
Imprint
Hong Kong University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 25th, 2022
Print length
272 Pages
Weight
562 grams
Dimensions
15.90 x 23.50 x 2.40 cms
Product Classification:
Films, cinemaPopular cultureMedia studies
Ksh 11,900.00
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A pioneer investigation of Chinese cinema and the Chinese film industry.
In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.
In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.
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