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Chinese Surplus : Biopolitical Aesthetics and the Medically Commodified Body

By: (Author) Ari Larissa Heinrich

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Ksh 4,850.00

Format: Paperback / Softback

ISBN-10: 0822370530

ISBN-13: 9780822370536

Series: Perverse Modernities: a Series Edited by Jack Halberstam and Lisa Lowe

Publisher: Duke University Press

Imprint: Duke University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Mar 5th, 2018

Print length: 277 Pages

Weight: 394 grams

Dimensions (height x width x thickness): 15.30 x 23.00 x 2.10 cms

Product Classification: Art & design styles: Conceptual art
Asian history
Western philosophy: Medieval & Renaissance, c 500 to c 1600
Philosophy of science
Impact of science & technology on society

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What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin-however upsetting to witness-constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.

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Mind, Body, & Spirit