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Choreographing Agonism
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Choreographing Agonism : Politics, Strategies and Performances of the Left

2021 ed.

Book Details

Format Hardback or Cased Book
ISBN-10 3030794458
ISBN-13 9783030794453
Edition 2021 ed.
Publisher Springer Nature Switzerland AG
Imprint Springer Nature Switzerland AG
Country of Manufacture CH
Country of Publication GB
Publication Date Oct 16th, 2021
Print length 186 Pages
Weight 380 grams
Dimensions 15.30 x 21.60 x 2.00 cms
Ksh 18,000.00 Werezi Extended Catalogue

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In Choreographing Agonism, author Goran Petrovic Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovic Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ‘agonistic choreo-political practice,’ a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a boldand innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.

In Choreographing Agonism, author Goran Petrović Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrović Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics.

Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as ''agonistic choreo-political practice,'' a powerful strategy for mobilising alternative ways of living together and invigorating democracy.

Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.


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